Audioarts Consoles

Flexible. Affordable. Built to last.

New For 2014

Audioarts Engineering

Need a small digital mixer for a big job? Or an IP console that will get you started in AoIP networking? Audioarts Engineering is the rock star of affordable mixers and consoles for production, news, podcating, LPFM or web radio – or any combination of these -- because we make them compact, straightforward, and robust. Audioarts consoles and mixers are Wheatstone’s most prolific brand, owing their popularity to their small build and durable construction (no cheap switches for us). Anyone who has listened to radio for any length of time has no doubt heard an Audioarts radio console in action. That's how pervasive and powerful this product line is.

Processing Tip

erickson rackHere's a helpful tip from Wheatstone Processing Guy Mike Erickson on keeping track of presets:

"One thing I try to remember to do when I'm making presets for a new install, or adjusting presets on a processor that's already online, is to date the presets. This not only gives you a good track record as to when you created that perfect sound, but it also allows you to go back if the PD complains that the processing ‘sounded better last week’ ... you'll know what preset to go back to even if you didn't physically write it down! Saving presets with the dates allows you to do the processing version of ‘System Restore.’ Also, it's a good idea to back up your presets. ALWAYS! I recall a Memorial Day failure of a processor in Market #1 going back almost 7 years ago. The backup switched on via silence sensor and I was able to swap out the main with another of the same model we had on the shelf and load the custom presets. Within an hour, we were back sounding as good as you could get with that box! The PD was nervous while I was swapping hardware that we wouldn't sound the same because all the presets were lost on the hardware. If I hadn't backed up the presets, weeks of work would have been down the drain.”

This tip is brought to you by our new FM-55 audio processor, which is so easy to adjust from the front panel, you might want to save and date presets for the presets.

Oh, The Voices -- Part II: Adjusting for Taste

SteveDove Altby Steve Dove, Minister of Algorithms

The most basic, and arguably the most powerful, tool for getting vocals to sound good is equalization.

It has two primary uses, to correct for errors or for artistic effect. Compression and limiting also can be useful for adjusting vocals, as I cover in some detail below.

But first, this PSA: The worst judge of microphone processor settings is the one doing the talking. Most folk swoon over massive proximity effect bass and vertigo-inducing compression in their own headphones, to extents that would be ludicrous on-air. Someone other than the talent should do the equalization and dynamics adjustments, thank you very much.

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Oh, the Voices Part I: Tidying Up Talent Vocals

Steve DoveBy Steve Dove, Wheatstone Minister of Algorithms


The microphone processor has long been important but in recent years it has become vital. Mainly this is due to the recent trend of referencing audio to 0dBfs (the maximum signal level in a digital system) rather than the cozy old nominal 0dB VU. 

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LPFM and the Audio Arts

ARTxFM v2You know that good feeling you get when your significant other surprises you with tickets to a game or gets your Starbucks order right?

Well, here it is, in the form of a note from new LPFMer ARTxFM posted on our Facebook page:

We just LOVE our AudioArts Air 1 --- perfect starter board for our new LPFM - WXOX 97.1 FM Louisville!!!

Congratulations to Sharon Scott, Sean Selby, Tim Barnes and all the others at ARTxFM, on their new non-profit LPFM after three years of hard work and involvement in the Louisville, Kentucky, music community. We love your experimental music format, your shows and the fact that you’re out there in the community covering the music scene. We’re listening.

Wheatstone Holiday Video Greeting

HolidayVideoThumb

It's that time of year again, and with the winter chill comes the warmth of our now-traditional Wheatstone video greeting card. (I must say that Mike Harris and the surface-mount department have absolutely stolen the show this year!) From our Wheatstone family to yours, we'd like to wish you peace and joy this holiday season, and a very happy and prosperous 2015.

Mike Erickson is THAT Processing Guy

Mike Erickson_2012a_800

AirAuraX3 420NAB FM55 670Writing in the October 15 issue of Radio World, Wheatstone's Mike Erickson describes what it's like to be "that guy," the one who arrives in town with an audio processor under his arm and delivers on the promises.Here's a reprint, courtesy of Radio World.

 icon Mike Erickson is That Processing Guy (824.47 kB 2014-11-12 11:58:38)

Radio That Can ... And Did

Prayz5 420Meet Prayz Network, the little Christian network that could. Prayz Network started in 2011 with WTPN-FM in Westby, Wisconsin. Soon, it added a translator to get into nearby La Crosse, and within a year, added WEQS-FM in Sparta, Wisconsin.

This month, the little network that began on little more than a wing and prayer added its fourth, network affiliate WWJC-FM licensed to Augusta, Wisconsin, and will be covering the I-94/I-90 corridor from Eau Claire to La Crosse.

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Audioarts Is THE BEST LPFM Solution!

Air-1 Radio Mixer 3Quarter from Audioarts 420

The LPFM studio you build today will be better and more affordable than the one you might have sketched out on a yellow legal pad back in the early '00s.

For one thing, professional broadcast consoles are more compact and better equipped. Our Air-1 fits anywhere your laptop does, for example, and has USB to boot so you can plug it into your laptop for scheduling, storing and creating content. It's got everything most LPFM studios need: two mic inputs and six stereo inputs plus all the necessary metering, busses and preamps. If you need a little more, like dual A/B source switching and call-in phone support, you can always step up to our compact, yet powerful Air-4 console for not much more.

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A Look Back: Audioarts and the Broadcast Niche

WheatIdeaFactoryVideoSplash RADIO 4 28

Andy and Jay discuss the "niche" the broadcast industry represented for Audioarts in its early days.

Watch This Video

We asked some of our folks to go on camera and simply talk to each other. We think you'll like what they had to say... unrehearsed and unscripted.

To see more videos from this series, feel free to visit here:

Wheatstone Inside The Idea Factory Videos

Audio Performance Testing on the Cheap

AudioPerformanceOnTheCheap 420by Jeff Keith

There’s nothing like a little audio performance testing to cap off a hectic week at the station, especially if you don’t have to haul out the heavy (read “expensive”) equipment to do it.

There are two main things I like to test: the flatness of the frequency response and the distortion added by equipment in the air chain. For this, you’ll need clean test signals, and a way to measure those signals after they’ve passed through the air chain.

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When Radio Is Your Hobby

defelice-photo 1064After talking with radio hobbyist Bill DeFelice, we’re convinced that deep down inside all of us is a radio station wanting to get out. Maybe that’s why we jack up our stereo systems, have tuning forks for ears, and, for some of us anyway, make broadcast equipment.

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Video: Setting Up the IP-12

Just how easy is it to set up a typical Wheatstone AoIP console? Wonder no more. In this series of videos, Jay Tyler takes you through the whole process of unboxing and setting up an IP-12 in surprisingly little time!

Here's part one: Unboxing.

SEE ADDITIONAL VIDEO SEGMENTS...


Part 2: Cabling Up and Powering Up


Part 3: Configuring and Getting Audio


Part 4: Interfacing Details


MORE SEGMENTS ON THE WAY SOON!

What the #@& is Cable Certification?

Fluke And CableWe often use the term “certification testing” when referring to cable used in audio networks. But if a person didn’t know better, they’d think we were talking about guys in white lab coats running around with clipboards.

Hardly.

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A Look Back: Audioarts Enters the Broadcast Field

WheatVideoSplash RD 6 23

Andy and Jay recall the years when Audioarts made its first inroads into the broadcast industry, and discuss the company's first broadcast products.

Watch This Video

We asked some of our folks to go on camera and simply talk to each other. We think you'll like what they had to say... unrehearsed and unscripted.

To see more videos from this series, feel free to visit here:

Wheatstone Inside The Idea Factory Videos

 

KBEM Rethinks Facility with WheatNet-IP

KBEMHUDMichael Jamnick tells the story of revitalizing KBEM using WheatNet-IP AoIP networking technology. 

Writing in the August 2014 issue of Radio magazine, Jamnick tells of his challenges when taking over as engineer of the station as, along with station management, he began to rethink the technical plant. A reprint can be downloaded at this link, courtesy of Radio magazine.

icon RADIO: Revitalizing a Station, Reviving a School (4.1 MB 2014-09-08 16:28:56)

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